Assemblage · Levant · 3 min read, approximately

The Nahal Mishmar hoard: technique is not use

The Met's timeline counts 442 copper objects in the Nahal Mishmar hoard, made by the lost-wax method, among them maceheads, crowns and standards. What the technique tells us about making, and what it does not tell us about use.

The explanations distinguish finds, interpretations and open questions. Sources appear at the end of the page.

What the source says

In the Met's timeline for the eastern Mediterranean and Syria, under the key events of about 4500-3500 BCE, the text says that at the site of Nahal Mishmar "a hoard of 442 copper objects", made by the lost-wax method, was found, and that it includes maceheads, crowns and standards. That is all the source, as read, says about the hoard: it does not describe where the hoard was deposited, any particular object, or measurements. Source 1.

Where this sits on the timeline

The entry for 4500-3500 BCE falls entirely within the Chalcolithic period, which the same page dates to about 5500-3300 BCE, and within the site's Levant Chalcolithic page, which uses the same range. The article is therefore placed on that page. The thousand years of the entry are a frame of the timeline, not a date for the burial of the hoard or for the casting of any object. Source 1.

What the technique shows

"The lost-wax method" is the name of a casting method, and the source attributes it to the objects of the hoard. That is a fact about how they were made: those who made the objects mastered such a process, and the hoard contains hundreds of pieces. It does not say who used the objects, for what purpose, or whether they were used at all before they were buried. The complexity of the making and the number of objects are data about the craft, not about use.

Names that assume a use

The names, too, call for care. "Macehead", "crown" and "standard" are names for forms, but they carry an assumption about function: a mace is held in the hand, a crown is worn on the head, a standard is raised. The source uses these names without describing actual use, so it is worth distinguishing between the name of the type and a claim about what was done with the object. Such a claim needs other evidence: traces of use, the find context and dated parallels.

A hoard and a temple in one entry

Immediately after the sentence on Nahal Mishmar, the timeline describes "nearby" En Gedi, with a temple on a stone terrace. The source sets the two sites side by side but, as read, does not link the hoard to the temple. On this site each has its own article, so that nearness in the text and on the ground does not become, without evidence, a connection of use. Source 1.

Scope of reading: the Met timeline page for 8000-2000 BCE was read on 24 October 2026. The excavation publications of the hoard and museum records of objects from it were not read, so this page gives no description of the findspot, of particular objects, of the metal's composition or of laboratory dates.

Source

Sources and further reading

The research and references behind this page. Rights to external content remain with their owners.

  1. 1 The Eastern Mediterranean and Syria, 8000-2000 B.C.

    The Metropolitan Museum of Art · 2000 · Checked

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The Met's timeline gives En Gedi one sentence: an impressive temple on a stone terrace, with plastered and painted interior walls. How to separate the description of the building, its identification as a temple, and hypotheses about the people who used it.

2 min read, approximately

Related reading.

Object

Ivory figurine of a man from Beersheba (Safadi)

A figurine of a nude man carved in hippopotamus ivory, found in 1958 in a cache in room 721 at Beersheba. The Louvre's record gives it two dates that do not agree, the 5th millennium BCE and 3500-3000 BCE, so it is not placed on the timeline.

5th millennium BCE or 3500-3000 BCE (record conflicts)

Related reading.

Text frame in place of a photograph

Hippopotamus ivory, carved ("ivoire d'hippopotame"; "sculpté")Height 24.8 cm; length 4.7 cm; thickness 4.2 cm

The source states no licence for its image, so it is not reproduced here

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