No photographText frame in place of a photograph
Kneeling bull holding a spouted vessel
- Material
- Silver
- Dimensions
- 6 7/16 x 2 1/2 x 4 1/4in. (16.3 x 6.3 x 10.8cm)
- Date as given by the source
- ca. 3100-2900 BCE
- Record number
- 66.173
- Held by
- The Metropolitan Museum of Art, New York
The source has an openly licensed image; it is not included here yet
Museum recordDocumented object · Proto-Elamite, per the catalogue; geography 'Southwestern Iran' (regional attribution)
Kneeling bull holding a spouted vessel
A small silver figure of a robed bull holding a spouted vessel, dated by the museum about 3100-2900 BCE and attributed to Proto-Elamite culture. The record gives "Southwestern Iran" but no findspot, and the museum itself writes that its function "remains uncertain".
Date as given by the sourceca. 3100-2900 BCEAs worded by the source: ca. 3100-2900 BCE; period and culture Proto-Elamite
What you see
What you see
A small silver figure, 16.3 cm high: a bull clothed in a robe decorated with a stepped pattern, holding a spouted vessel. According to the museum's description it blends human and animal traits: the large neck meets distinctly human shoulders, which taper into arms that end in hooves. This page has no photograph: the museum has a public-domain image of the figure, which is not included in this round. Source 1.
What the record says
The record dates the figure "ca. 3100-2900 BCE", and its period and culture fields read "Proto-Elamite". Of the geography fields only the region is filled, "Southwestern Iran"; country, city, locale, locus and excavation are empty. The credit line is "Purchase, Joseph Pulitzer Bequest, 1966", and the page as read showed no text under its provenance tab. The museum's description opens with a wider context: soon after the political transformations of the Uruk period in southern Mesopotamia, similar innovations (writing and cylinder seals, the mass production of standardized ceramics and a figural art style) developed "around the city of Susa", and in Iran they took on distinctive Elamite characteristics. Source 1.
What can and cannot be said
The museum writes that the function of the figure "remains uncertain". Traces of cloth found affixed to it "suggest" that it was intentionally buried, "perhaps" as part of a ritual or ceremony; that is a suggestion, not the record of an excavated context, which the record does not give. According to the description, animals in human postures were common in Proto-Elamite art, "possibly" as symbols of natural forces "but just as likely" as protagonists in myths or fables. "Southwestern Iran" is the region to which the museum attributes the figure, not where it was found, and "Proto-Elamite" is a cultural attribution, not a place of manufacture. Source 1.
Placement on the timeline
The record's range, 3100-2900 BCE, lies entirely within the site's Early Bronze Age in Iran, so the figure is assigned to it by date range. On the Met's timeline for Iran the Proto-Elamite period, about 3100-2900 BCE, sits inside the Early Bronze Age, about 3500-2000 BCE, and overlaps Susa III; the figure itself is listed there among the page's works of art. The date and the cultural attribution come from the catalogue, not from an excavated context; the place is even less certain, since the record states no findspot at all. Sources 2, 1.
Where it is now
Held by The Metropolitan Museum of Art in New York, record 66.173, in the department of Ancient West Asian Art; purchased in 1966. On 24 October 2026 the record stated "Not on view", and the gallery number field was empty. Source 1.
The object's connections
The object's connections
Culture, period, place, type and holder: every connection comes from the record or a cited source.
Object
Kneeling bull holding a spouted vessel
Period
Region
Source
Sources and further reading
The research and references behind this page. Rights to external content remain with their owners.
- 1
Kneeling bull holding a spouted vessel, collection record 66.173
The Metropolitan Museum of Art · Checked
- 2
Iran, 8000-2000 B.C.
The Metropolitan Museum of Art · 2000 · Checked
