Reading trail · 4 steps

Objects for the afterlife

A self-contained story, with no link to the Levant: a culture with its own chronology, an amulet from a tomb, a figurine from a tomb, and a question about what a museum shows and what it does not. Four steps.

Limestone shabti from the tomb of Sennedjem, front view: a wrapped human figure
Photograph of the object: Shabti from the tomb of Sennedjem Limestone shabti, tomb of Sennedjem (TT 1), Deir el-Medina; Dynasty 19, ca. 1290-1224 BCE. The Metropolitan Museum of Art's own collection photograph, accession 86.1.23.The Metropolitan Museum of Art · 86.1.23 · Funds from various donors, 1886 · CC0 · Source · CC0 1.0

Two small objects found in tombs, both in documented excavations, both on display today in the same museum in New York. The trail starts with the culture their records attribute them to, passes through the two pages, and ends with the question that cannot be avoided when tombs are discussed: how the buried are displayed.

The amulet has no photograph here: its record has no image. The shabti has the museum's collection photograph (CC0). Both pages show what the record says and link to it.

The steps

  1. Step 1 · Civilization

    Ancient Egypt: a culture with a chronology of its own

    Middle Kingdom, Second Intermediate Period, New Kingdom: Egypt's period names are Egypt's. The site shows them as the museum records word them and does not measure them by the Levant scheme.

    Why this step

    The starting point: a culture with a chronology of its own. "Middle Kingdom" and "New Kingdom" are names from the museum records, not from the Levant timeline; the culture page explains why the site has not adopted an Egyptian scheme.

    Per source 4 · Verified
    Open this step
  2. No photographText frame in place of a photograph

    Scarab amulet from Lisht

    Material
    Blue-green glazed faience
    Dimensions
    l. 1 cm (3/8 in)
    Date as given by the source
    ca. 1981-1640 BCE
    Record number
    33.1.50
    Held by
    The Metropolitan Museum of Art, New York

    The source record has no image

    Step 2 · Object

    Scarab amulet from Lisht

    A one-centimetre amulet of glazed faience found in the debris of a tomb at Lisht South. The record documents an exact findspot and a display in Gallery 109; what it lacks is an open photograph.

    Date as given by the source: ca. 1981-1640 BCE

    Why this step

    A small object with a big findspot: a one-centimetre amulet found in the debris of a tomb at Lisht South in the museum's own excavations. The step shows what the record of an excavated object can say, and why there is no photograph here.

    Per source 1 · From Egypt, Memphite Region, Lisht South, tomb of Senwosretankh, debris, MMA excavations, 1932-33 · On view ... Gallery 109 · Verified
    Open this step
  3. Detail of the photograph · Limestone shabti from the tomb of Sennedjem, front view: a wrapped human figure
    Detail of the photograph: Shabti from the tomb of SennedjemThe Metropolitan Museum of Art · 86.1.23 · Funds from various donors, 1886 · CC0 · Source · CC0 1.0

    Step 3 · Object

    Shabti from the tomb of Sennedjem

    An uninscribed limestone figurine found in the tomb of Sennedjem at Deir el-Medina in the excavations of 1885-86. The museum dates it to the reign of Ramesses II and displays it in Gallery 126.

    Date as given by the source: ca. 1290-1224 BCE

    Why this step

    An object placed with the dead: an uninscribed figurine from the tomb of Sennedjem at Deir el-Medina. The record gives the tomb, the excavator and the year, and notes that other objects in the collection came from the same tomb.

    Per source 2 · Tomb of Sennedjem (TT 1), Egyptian Antiquities Service/Maspero excavations, 1885-86 · On view ... Gallery 126 · Verified
    Open this step
  4. Detail of the photograph · Limestone shabti from the tomb of Sennedjem, front view: a wrapped human figure
    The shabti from the tomb of Sennedjem: an object placed with the dead, not human remains - the distinction this article is about. The museum's collection photograph, at its original size. Detail of the photograph: Shabti from the tomb of SennedjemThe Metropolitan Museum of Art · 86.1.23 · Funds from various donors, 1886 · CC0 · Source · CC0 1.0

    Step 4 · METHOD GUIDE · ETHICS

    A mummy is not an exhibit: how museums display human remains

    Tomb objects raise a question that cannot be avoided: what to do with the people buried with them. One written policy, from 2025, shows how a museum answers it in writing, section by section.

    Why this step

    The end: the question that tomb objects raise. What separates an object placed with the dead from a remain of the dead, and how a museum justifies in writing every display of human remains. Based on the British Museum's written policy of 2025.

    Per source 3 · Verified
    Open this step

Places on the trail

Where it was found

Schematic map: Lisht, Deir el-Medina, Egypt Mediterranean SeaRed SeaBlack SeaLevantAnatoliaMesopotamiaPersiaNileCaspian Sea Lisht Deir el-Medina Egypt Jerusalem Nineveh Alexandria
  • LishtFindspot per the record
  • Deir el-MedinaFindspot per the record
  • EgyptThe culture’s area per the records

Schematic map: simplified coastlines, not to scale; positions follow the cited records.

End of the trail

End of the trail

From here, continue to an object, a period or another trail.

Back to the overview

Source

Sources and further reading

The research and references behind this page. Rights to external content remain with their owners.

  1. 1 Scarab Amulet, collection record 33.1.50

    The Metropolitan Museum of Art · Checked

  2. 2 Shabti, Tomb of Sennedjem (TT 1), collection record 86.1.23

    The Metropolitan Museum of Art · Checked

  3. 3 British Museum Policy: Human Remains in the Collection (approved 20 March 2025)

    The British Museum · 2025 · Checked

  4. 4 Egypt, 2000–1000 B.C. (Heilbrunn Timeline of Art History, chronology)

    The Metropolitan Museum of Art · Checked

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Cultures

A culture is an entity of its own: it can span more than one period, and an object can belong to a culture other than the place where it was found.

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